Kiesenhofer’s exploration of queer spaces and architecture manifests in the highly formal and black-mirror-like photographs of his Indoor series, presenting filtered insights into hardly accessible queer underground sex venues, darkrooms, gay-clubs and saunas around the world.

 

The photographs are taken during daytime when the clubs are closed and are layered and framed with grey glass. The motifs, barely visible through the dark glass filter, point to the disappearance of queer spaces from the urban cityscape.